Posts Tagged ‘Tori Amos’

Wordspark #005: Soundtracks between the lines

Sunday, June 20th, 2010

When you write, do you listen to music? For me, music playing low in the background when I’m writing really helps keep me settled – particularly in the Useless Hour that begins most sessions. But I can’t listen to anything too upbeat, and certainly nothing with lyrics else I start listening to them rather than the words wandering around in my head!


Recently, the West-End urchins have been using my TV cable as a swing/garotte so, this week, the aerial repairman came round to reattach it to the wall, hopefully out of their reach.


‘We’ll have to drill through there,’ he said pointing to the corner of the room where my Oxford English Dictionaries stood in a vertical and completely unusable pile. We moved them out into the hall which uncovered the footstool at the bottom – one of those with a little storage box. Inside, I found a whole bunch of old home-recorded cassette tapes.


Cassette

The old cassette discovered this week. Tracklist: 'A Case of You,' Joni Mitchell; 'Getting There,' Bob Dylan; 'Cello Song,' Nick Drake; 'Suzanne' Leonard Cohen; 'Hey Jupiter,' - Tori Amos; 'After Halloween,' Sandy Denny and 'Bells For Her' Tori Amos.

In years gone by, I used cassettes extensively and, to be truthful, I have never quite recovered and adapted since their demise. I’d record scraps of songs, interviews with friends, radio shows… so I had a nostalgic few minutes shuffling through the tapes in the box, but one that particularly caught my eye went alongside a writing project from 10 years ago. It was the ‘soundtrack’ to the novel I’d been working on and like so many of us who have made cassettes for our friends, or burned CDs, or shared playlists, it simply compiled a selection of songs and pieces of music, but here chosen to reflect the novel in some way.

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Wordsparks #003: Maps, territories and 3D Space

Saturday, June 5th, 2010

Here is an exercise that seeks to draw out a character’s inner landscape via their external, so they become a product of place, just as we all are.

Have you ever looked at one of your characters, peered at them between the words on the page, a bit like a kid at a fence, and found they aren’t quite real yet?

We’ve all had it, but to some extent it’s a bit like looking at the tomato plants you’ve grown from seed and, after four weeks of healthy growth, calling it a ‘problem’ that there are no tomatoes yet. They’ll get there in their own time, of course, you just have to maintain the right conditions.

It’s the same with your characters, they need the warmth of your continued attention, patience and some kind of nourishment. Many exercises suggest profiling – the interrogation of your character using a series of questions that look at, say, personality, past, likes and dislikes, ambitions etc. This can be very useful, and it works because it makes you look inwards – into the character – to get a sense of what you might call their internal landscape.

But we can also turn that on its head and instead look outward. In Writing Fiction, Janet Burroway says ‘…just as character and plot are interlinked, so character itself is a product of place and culture.’ This exercise seeks to explore those links. It might have particular appeal to writers whose minds work visually. (Or who like crayons.)

A creative map I drew for 'Nailing Cats to Trees,' a short story I'm working on. I used 'bubbles' to represent the three most significant places to the character and explored how they connected.

A creative map I drew for 'Nailing Cats to Trees,' a short story I'm working on. I used 'bubbles' to represent the three most significant places to the character and explored how they connected. I learnt some new things about interconnection within the piece, and it also helped me locate the 'fuzzy' areas.

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