Archive for November, 2010

Wordspark #012: Dice Grid

Monday, November 15th, 2010
8

This is an game you can play yourself if you need a bit of writing impetus. It’s also a good one to try with a group, particularly if the participants are young – it seems to pique curiousity and encourage concentration. It also stretches creativity as you try to link two disparate objects together.

8

You need two dice, preferably of different colours, or different sizes – so you can tell them apart. One die is enough, at a pinch, it would just mean that each person would have to roll four times in total.

8

(more…)

Wordsoup Short Story Special: November 16th 2010

Wednesday, November 10th, 2010
8

Really looking forward to this: a night dedicated to the sometimes neglected short story! I’m going to be reading a selection of flash, including The Map, which was recently shortlisted by the Biscuit International Short Story Competition.

8

WORDSOUP SHORT-STORY NIGHT:

8

Our regular live lit night Word Soup will be a Short Story Night on
Tuesday 16th November, and we have a fantastic line-up of Short Story
performers.

8

The headline act is short story writer Zoe Lambert, published by Comma
Press, a not-for-profit publishing initiative dedicated to promoting new
fiction and poetry, with an emphasis on the short story.

8

Joining Zoe for Word Soup’s Short Story Night will be the short-story
talents of Philip Burton, Mollie Baxter, Stephen Jansen, and Catie
Smith.

8

The regular Open Mic slot will of course be running – so don’t forget to
bring a 3-minute piece of your own!

8

Rae Morris (likened to a young Alanis Morissette by Ark Magazine) will
be putting the cherry on the top with a fabulous music set.

8

Word Soup Short Story Night at The Continental, South Meadow Lane,
Preston on Tuesday 16th November from 8pm, £3.00 on the door for an
evening of priceless entertainment.

8

Review of ‘Five Rooms’ from Wordsoup 1.

Wednesday, November 10th, 2010

8

Back in June I had a flash fiction piece published in the Wordsoup 1 anthology. I’ve just discovered there’s a review on the Lancashire Writing Hub.

25

Sofie Fowler writes,  ‘Mollie Baxter’s Five Rooms is a beautiful comment on domestic life. Mollie skillfully utilises repetition to express tedium but also explores the theme of security in routine. The pace is fluid and the detail creates a very believable setting.’

8

To read the full review which looks at pieces from Jane Brunning, Tom Fletcher, Rachel McGladdery, Norman Hadley and many other great writers click here and scroll to October 26th.

8

Wordspark #011: Laying a Fire

Friday, November 5th, 2010
8

It's amazing what comes up when you type 'bonfire' into Google Images. Check them out on Ebay.

Happy Bonfire Night!

8

Many of us will be out this weekend dodging the rain, munching parkin and getting sparkler trails behind our eyes. As I’m typing I can hear the first few muffled rocket-thuds of the evening. If you’re staying in and keeping the cat/dog/budgie calm, you might like to try this exercise.

8

This Wordspark is a framework stimulus – it gives you a few parameters to work within, but endless scope for you to bring your own twist and interpretation.

These are the starting points:

8

1) A fire is being laid.

8

2) Three people are involved.

8

3) The task in hand doesn’t go as smoothly as it might.

8

4) The fire should flicker a hint of symbolic meaning.

8

So these are our parameters, but how might we interpret them? With number 1, the type of fire isn’t specified. So what could it be… a bonfire, a cooking fire, the firebox of a steam engine, an arson attack…or…? Remember that it can be fun to push past the scenario that first pops into a head – not always, but it can have pleasingly unexpected results.

8

With number 2, we know there are three people, but that’s it. We don’t know their age, sex, personality or how they happen to be working on this task together. Since our topic is fire, you might want to play around with the ‘Fire Triangle’ – the three components needed for fire: Fuel, Oxygen and Heat. Could our three characters represent those components in some way…? And if so, what would the flashpoint be?

8

This brings us to number 3: things not going as smoothly as they might. What will the problem or obstacle be? What might cause a flashpoint?

8

And last but not least – the fire is going to symbolise something beyond itself, and again, there are many ways you could interpret this. What could fire represent? Anger? Release? Lust? Safety? How overt you make the symbolism of the fire is up to you – certainly in the first draft it would be enough to just explore the possibilities and, with your Writer’s Radar open, feel for what it could respresent if you wanted to develop it.

8

Light the touch paper and off you go!

8

Copyright Mollie Baxter 2010

You are welcome to use these exercises in your writing group or class. I just ask that you acknowledge the source i.e. verbally and on the handout if you use one. I’d also love it if you would let me know how it went!

5

Do feel free to post any responses or extracts of writing that you have written, but bear in mind that I am unable to give any feedback in this forum. Please see details on my freelance teaching or one-to-one mentoring. Thanks for reading!

5
8

‘The Map’ by Mollie Baxter Receives Highly Commended from International Contest!

Tuesday, November 2nd, 2010
8

Biscuit Publishing

‘The Map,’ – one of a collection of flash fiction pieces I wrote over summer 2010 – has been awarded ‘Highly Commended’ by the Biscuit International Flash Fiction Contest. As you can imagine, I am over the moon!

8

There were 486 entries, and the write-up includes a very pithy definition of what flash fiction can and should do, which I’d like to share because it is so succinct, although I am concerned that it looks like bragging…

8

‘Flash fiction… comes with no wasted words, has a hook in the opening phrase and several others carefully sewn throughout, it has controlled pacing, makes use of landscape and displays a strong narrative voice and viewpoint. The very same ingredients used in the short story form, but this time miniaturised.’- Brian Lister

8

‘The Map’ will be published in an anthology early next year. It is a speculation on what has really been happening to the bees: they’ve found a way to cross to a different plane, where the flowers are more abundant and they are carefully communicating across their species, giving directions for how each hive can make their way to a new home. Interestingly, some readers have found my story sinister – the bees don’t fly to safety but to their deaths; other readers feel triumphant on the bees’ behalf and can’t blame them for washing their wings of us and moving elsewhere. I know what I think is the truth…

8